Hawk Anamorphic Los Angeles LP 5009 Exposition Blvd Los Angeles, CA 90016 USA Tel. +1 213 335 3900. Go to Top. General Conditions Corporate Logos Jobs 1 Minimum marked object distance (measured from sensor plane). 2 From the front of the lens to the lens mount. 3 Describes the maximum horizontal and vertical angle of view for Super35 formats. 4 Total weight of the lens including base PL mount. The Anamorphic/i S35 harness all the anamorphic lens characteristics demanded by filmmakers today Hawk V-Lite: Although I really love the look of the Hawks in general, the V-Lites do exhibit some “blurring” at the top and bottom 1/5th of the frame. This can be observed on the model’s hair and the bottom of her shirt. Todd AO: Todd AOs have an enormous amount of character. Each set that I’ve seen in the past is a bit different. Introducing Wedio Gear Guarantee. a month ago • 2 min read. When it comes to filmmaking there’s no lens like the anamorphic lens. What began as a tool and technique for capturing and projecting wider aspect ratios, quickly became a Hollywood darling due to its unique characteristics. Digital Anamorphic/Super 35mm Hybrid (6K AXS-R7)(8K Redcode RAW): Filmed with the Sony CineAlta Venice and Red Ranger Monstro equipped with Todd-AO Anamorphic Primes, Hawk Class-X Anamorphic Primes, 45mm Hawk V-Lite Anamorphic Prime, Leitz M0.8 Spherical Primes, Bausch & Lomb Super Baltar Primes, Arri Swing Shift Primes, Petzval MKII 55mm Prime and 14mm Sigma Prime, shot by Newton Thomas Sigel ASC 8GVwc.

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